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This station is quite fabulous. Period. But as a collector, it really depends on how you roll… er… or how you transform and roll out. I’m a completist. I was too unhurried in collecting the previous releases on DVD and fair prayed and waited around forever for this incredible release.

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You can indeed regain the complete state for $140 on the Cry website; who knows, Amazon often drops their note by the release date, but for now, it can be found, alongside the complete GI JOE place with free shipping.

The packaging, unfortunately, is a lot of thin cardboard — with the CD cases being cardboard with plastic trays; not very durable, not determined how they’ll possess up to the test of time with declare handling. I wish the outside case, at least, was heavy duty like the GI JOE complete residence box, especially for $140; one could most likely catch the individual releases for the same mark with how cheap these individual seasons often go down on Amazon. Although, the position does consist of a few rarities not found in the individual releases.

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Call me ‘Crazy’, but I am collecting BOTH releases. I appreciate recount discs and packaging. Especially for the individual releases which possess thin-pak jewel cases and cartoon character pictures on the discs. The characters on the complete area discs are more computer-generated images… NOT CGI, but rather, what a Transformer might see like after being scanned for replication.

On a side stamp, the “More Than Meets The Witness” introduction DVD, the first five episodes of season one sold seperately, is a nice collectable too, comes in a regular jewel case, and though the image is the same as the first disc in season one, it has a blue background rather than a purple background… subtle, but wintry. And, yes, I have this in my collection as well. Crazy.

The still book (episode summaries) is quite nice that comes with the complete residence, it includes some Tranformer bios… the individual releases advance with mini-booklets that only believe the episode summaries, both having different mask designs, so again, to me it is worth collecting both releases.

GI JOE side stamp (for completists) ; for the complete area, the 17 discs have the same characters as the individual release… however, the complete station discs have the new hand-drawn character profile narrate, whereas the individual situation releases have the cartoon character image on the discs. And, the individually released introduction DVD “The M.A.S.S. Scheme” has three figher jets with the red white and blue jetstreams as the represent disc, so they’re all quite different. Also, involving to point out, there’s an empty tray slot, an “18th” disc place for the 1987 GI JOE movie that does not reach with the dwelling, hopefully it’s released at a later date. Not certain why the Transformers movie wasn’t included in the complete TF position. Too awful… or had an empty “17th” disc state.

This THE box site to beget. I never purchased any of the Rhino releases but Cry Factory’s treatment of this ragged series is most friendly. From the Dolby Pro Logic soundtrack to the imperfections that chop up in some episodes (no doubt show on the boradcast masters former by Wail Factory) this the Transformers as I remember them.

I ordered this addition from Yell Factory directly since I wasn’t positive if it would be available from other vendors. All 16 discs were explain and accounted for as well two magnets, a 60-page booklet, and a flyer for the G.I. Joe collector’s space. If your a Transformers fan this is the most complete edition of the series worth owning to date. Recall it and savor!
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When I heard about this release about a year ago, I was so angry. Probably more exasperated than I have ever been for any DVD release. I deem it was supposed to arrive out in January, but then it got pushed wait on indefinitely. But now it is finally here. Most people have probably seen the movie, but if you haven’t, prepare to be blown away. It is easily Jet Li’s best fighting performance of his career in my belief. And the co-stars Chin Siu Ho, Billy Chow and Yasuaki Kurata are also on the top of their games, in both fighting and acting. It is a remake of Bruce Lee’s Fist of Fury, but not a scene by scene remake by any means. It really is a different movie. Not a big overall movie, but the fight scenes easily elevate it to greatness. It is a fight fan’s dream movie.

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Rating- 4.5/5

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Most people have probably only seen the feeble Dimension English dubbed version. A lot of people may not realize how indispensable the current language is for this movie. There are not objective Chinese people talking, there is also a lot of Japanese dialogue. I never really liked this movie, I honest liked the fights, but it is a great better movie watching it in the new language. And the relate quality is so pretty. This DVD is my prized possession moral now.

One more brand on the audio. The audio options are English, Cantonese and Mandarin. The peculiar thing is that the sound is a lot different on all 3 audio tracks. The Mandarin sounds better in some places, but unfortunately the Japanese dialogue is spoken in Mandarin on the Mandarin track. And while the music is better at times on the English track, I recall the Canttonese soundtrack overall. I honest got very annoyed very fast by the English version playing the same song over and over again. And the dubbing completely ruins the movie. I admire English dubs, but not this one. This is one I will be contented to forget. Not only are the voices poor, but the dialogue really dumbs down the movie. So do yourself a favor, and read the subtitles.

Now to the special features. I examine the special features for movies every once in awhile, but when it’s one of my celebrated movies, I always inspect the special features. Dragon Dynasty has had some wonderful special features on many of their martial arts movies, and their release of Fist of Sage is no different.

Great lengthy interviews from director Gordon Chan, Chin Siu Ho and Yasuaki Kurata. All the interviews are gigantic, but the Kurata interview definitely stands out. Such an informative interview. It’s easy to gawk that Kurata has passe (he’s 62 years traditional!), but he doesn’t seem to want to answer it. he composed looks like he’s ready to purchase on any project that comes his blueprint. And there is a special feature that shows Kurata at his action school. He is so focused on teaching and watching his students. This school is intense. I can’t even imagine how intense it would be if the Dragon Dynasty camera people weren’t there.

There are also some deleted scenes included. I wish they could have do the Chin Siu Ho opium scene in this version of Fist of Memoir. It really helps to justify why Chin Siu Ho is a exiguous off and seems to be running on 7 cylinders instead of a elephantine 8.

…that’s the intention Gordon Chan’s “FIST OF Account” was dubbed before; it displays Chen as a tiny cocky, a dinky arrogant but friendly young man. Dragon Dynasty has restored the film’s unusual language track with apt subtitles. You would not beget honest how abominable dubbing can affect a film, the only thing that the Dimension release had going for it was its gigantic music, and it is uncut and titled the same. The film has been hailed as Jet Li’s best film. The record late “Fist of Sage” is loosely based on steady life events and the film itself is a remake of Bruce Lee’s “Chinese Connection” (Asian title: FIST OF FURY) .

Chen Zhen (Jet Li) is a young martial artist sent to Japan to perceive and bag recent skills and methods so that the Chinese may combat the Japanese more effectively. While in Japan, Chen receives word that his master had been killed in a duel with a Japanese master named Akutagawa (Jackson Liu) . Chen returns home to Shanghai to pay his last respects and decides to regain to the bottom of his master’s death. After a mercurial fight with the Japanese master, Chen determines that Akutagawa couldn’t have beaten his master in a duel. The military soon becomes enthusiastic to discredit the school, and social differences threaten to seize the school and its masters apart. All the more setting events in motion that would space Chen and the Jing Wu school on a collision course with Japanese authorities.

The film’s main premise would be the conflict between the Chinese and the Japanese, or rather, who are the best fighters? But the film does delve into something noteworthy deeper. The film also explores the differences and social tensions between the Chinese and the Japanese. The film is well-acted (if you exercise the loyal language track) and characters are nicely developed. The court drama in the first half may be a dinky lacking and far-fetched, but I concept it wisely represented the social differences between the two countries. Mitsuko (Nakayama Shinobu) is a blessed presence for Chen and wow! Jet gets a glorious Japanese leading lady. The tensions between Jing Wu’s unique master Ting-An (Siu Hou Chin) were excellently played. Chen’s encounter with an salubrious Japanese master named Fuimo Funakashi (played by Yasuaki Kurata), different styles are on demonstrate even blindfolds as they fight to demonstrate their superiority which ends in a resolution that reinforced their respect for each other.

Well, all these intricate storytelling are plot aside for numerous fight sequences which is the film’s main diagram. Legendary fight choreographer Yuen Woo-Ping (End Bill, Daring) earns his paycheck, the fights are nicely shot and excellently executed. Jet Li fights a bunch of students in Akutagawa’s dojo, is fair a sizable inspect to glance under a masterful hand, it also brought support memories from Bruce Lee’s modern. The moves are on exhibit and the techniques are perfect. While some films exercise action scenes to delay a film’s resolution, “Fist of Story” uses action to fetch to the films’ resolution. The majority of the fights looked very realistic while some are the usual wire fu that Jet Li does.

The fight sequences are excellently placed and does further add to the film’s strengths. The fights are quite long and radiate sheer intensity. The fight between Chen and Fuimo is arguably the best one. Fuimo’s experience and ability to adapt to Chen’s style may have given him the upper hand, and I really concept that this fight represented what just Martial Arts should really be about. It is unprejudiced so astounding to glance the two styles clash that maintains a sure amount of honor and sensibility. Chen’s climactic encounter with General Fujita (Billy Chow) may well be etched in action fanboys’ memory as one of the best fights ever captured on film; the final fight is long and at times brutal. The only reason why I preferred the Chen/Fuimo fight to the Chen/Fujita fight is because while the final fight was also spectacular, I was a dinky turned off with the spend of a belt(? ) against a katana. Realism was thrown out after all the hard-hitting precision, I felt that it deserved a better climax. Sorry, it unprejudiced takes a nose dive, a nunchaku would have been more believable as in “Chinese Connection”.

Yes, this film has been hailed as one of Jet Li’s best films and it is a loosely based prequel/sequel of sorts to “Valorous”. The film is the living epitome of Li’s younger days and a worthwhile explain of his skills. There is unprejudiced such “guilty pleasure” when you glimpse Jet Li beating the tar out of everyone and he does it so–looking steady and frosty. The film impartial has boatloads of action and is positive to please martial arts fans!

HIGHLY RECOMMENDED! [4 ½ Stars]

VIDEO/AUDIO: 1.78 top-notch anamorphic widescreen. Very nice transfer and well beats the letterboxed version by Dimension. 5.1 Dolby Digital English Dubbed track, 2.0 stereo Cantonese/Japanese Language track, 2.0 stereo Mandarin Laguage track. Why didn’t Dragon Dynasty remaster the novel Cantonese track to 5.1 DD??

Extras:

Almost 3 hours of extras!

You don’t need the commentary by Bey Logan (all due respect to Logan) –this dvd should have been given the 5.1 Dolby Digital treatment in Cantonese! The extra area on disc one should have been frail better.

Deleted scenes- a must-see; snippets of character development that gives the film more depth.

Interview with Gordon Chan: a must-see! The Director late the ‘Legend’.

Way of the Warrior- interview with Japanese myth Kurata Yasuaki: a must-see!

School of Hard-knocks- conceal fighting seminar at Kurata’s school.

Brett Ratner and Elvis Mitchell gives their two cents for the film??

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To just the technical info above, this DVD (both the special edition and movie-only edition) DOES HAVE an English monophonic soundtrack that was originally stale in the film. Also included is a Dolby Digital 5.1 track, but one wonders if a dialog-heavy film like this should really need a surround soundtrack. Dialogs in both the mono and the 5.1 tracks sound perfectly positive and understable. The surround sound only comes into spend during the occasional music and gunfight sequences. I do applaud the inclusion of the fresh mono track, which quite a few new DVDs of older movies do not provide in the hope of enticing novel DVD owners with 5.1 audio.

The video transfer looks tremendous — images are intelligent, levels of gloomy stare realistic (you can clearly witness and feel the velvety texture of a gloomy robe Monroe wears), signs of wear and slump are virtually non-existent. The record aspect ratio is 1.66:1, which is not the 1:85:1 ratio old-fashioned for the unique US theatrical release and for all previous US letterboxed laserdisc releases. The 1.66:1 ratio adds a petite describe to the top, but doesn’t really affect the composition. The video is also non-anamorphic, so the resolution is not as high on a widescreen TV as it would be with an anamorphic DVD. There is also no English optional subtitles, but there are yellow optional French and Spanish ones.

I would have gladly paid a higher imprint if they had included better supplementary material on the Special Edition DVD, such as the audio commentary and home movies that were attach on the Criterion laserdisc made in the early 90s. The extras on the Special Edition DVD include a provocative but superficial 30-minute modern interview with Tony Curtis reminiscing about the film, a rather listless 12-minute interview with the actresses who played the girl band members, a segment called “Virtual Hall of Memories” that is essentially a unruffled gallery, and trailers of 7 Wilder films including SOME LIKE IT HOT; all the trailers are in bad video condition. The most racy extra is a reproduction of a pressbook for the film, but the pictures are blurry and the smaller text is illegible. I am disappointed that we never net to hear from Jack Lemmon or Billy Wilder, both level-headed alive, on this DVD. These extras are not impressive, so one may reflect buying the movie-only edition for a cheaper tag.

Billy Wilder’s most approved comedy finally receives the deluxe treatment it deserves. MGM previously released this classic comedy in a nonanamorphic widescreen version a couple of years attend. While that edition looked sparkling decent this anamorphic transfer puts any previous editions (including my grand favored laserdisc edition) to shame. Wilder’s comedy operates as a spoof of gangster films and a comedy about gender roles. Jerry (the tedious Jack Lemmon) and Joe (Tony Curtis) are two musicians on the lam when they gape the St. Valentine’s Day Massacre. With Spats Columobo (George Raft) and his men looking for the duo they go undercover as musicians defective dressing and joining an all female band headed for a gig in Florida. Becoming a woman allows Joe/Josephine to spent time with Sugar (Marilyn Monroe) the latest woman that catches Joe’s savor. Jerry/Daphne on the other hand finds himself romanced by a rich man (Joe E. Brown) who won’t recall the hint as Jerry tries to blow off his advances.

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And you opinion the 50’s were tame. One of Wilder’s richest 50’s comedies “Some Like It Hot” continues to be very comic inverting our expectations constantly and playing with the roles that Jerry and Joe assume on with their novel identities. Joe’s eyes originate the most as before he was a stunning ruthless womanizer. Becoming a woman puts him in the crosshairs of every male insight and he’s on the receiving demolish of all the smirks, comments and passes that he would have obsolete with Sugar before his change. Wilder mixes social commentary so deftly with comedy (like Hitchcock’s work with suspense and social commentary) that at his best–and he’s at his best here–it reminds us how racy a movie can be without being heavy handed. It’s also filled with some salubrious in jokes (for example Colombo played by George Raft observes a thug flipping a coin and comments, “Where did you assume up that cheap trick? ” Raft of course did the valid thing in one of his signature roles in “Scarface” from 1932) .

A broad movie looks even better in this engaging looking transfer. The sad and white imagery of the film looks fair. Originally Marilyn Monroe lobbied to have the film shot in color which Billy Wilder felt wouldn’t work for this comedy (he persuaded her to agree to shoot in dismal and white when he showed her execute up tests for Jack Lemmon and Tony Curtis in color where their build up as women made them seek slightly green) while the film certainly would have looked stout in color the sumptuous cinematography by Charles Lang (”The Beautiful Seven”, “Wait Until Black”) looks extremely agreeable in this amazing looking transfer. Detail is quite obedient and blacks are solid with a nice array of different textures evident in the transfer. Audio is presented in the modern mono and sounds beautiful.

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For those that are into such things the special features here are a tall improvement over the previous edition. We pick up a commentary track compiled from comments by the gradual Jack Lemmon, Tony Curtis and I.A.L. Diamond’s son (working with the comedy writers Lowell Ganz and Babaloo Mandel–honestly I could have view of better writers to pair with Diamond’s son) . While the insights aren’t exactly a revelation it is an appetizing commentary track.

We also gather two terrific documentaries on the making of the film. The first features a mixture of modern and older interviews from the cast and crew. The second documentary “The Legacy of `Some Like it Hot’” is packed with trivia about the making of the film, Wilder & Monroe’s relationship on the status and the difficult time Wilder had making the film with his leading lady including footage shot in the 80’s of Wilder and Diamond.

Finally we collect “Memories from the Sweet Sues” featurette with members of the women who played in the band, an interview with Tony Curtis entitled “Nostalgic View Help” where Curtis reveals that actor/voice artist Paul Frees did powerful of his teach as Josephine because he had anguish reaching the high express. We also accept the imaginatively titled but unimpressive “Virtual Hall of Memories 3-D Tour” The current pressbook appears on the DVD as well and we salvage reproductions of various lobby cards. Finally we glean previews and the fresh theatrical trailer.

Far more impressive than the lackluster previous DVD releases “Some Like It Hot” looks solid in this re-release although the film could gape a bit more vibrant. The featurettes are, for the most piece, very pleasurable and the compiled commentary track adds loads of trivia (some of which is duplicated in the featurettes) about the making of the film. I do wish that a film historian such as UCLA professor Howard Suber had been keen in some diagram to support provide context for the movie but that’s objective personal preference. A dazzling release that could have been gargantuan with a wee bit more trouble on the allotment of Sony/MGM.

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Like a good dream, Sofia Coppola’s Lost in Translation envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of deja vu, even though you’ve probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn’t a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who “always had Paris” with another cinematic destination of the heart. –Doug Thomas

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Lost in Translation [HD DVD] was mellow! You have to appreciate this movie! A unique performance by Scarlett Johansson & Bill Murray make Lost in Translation [HD DVD] a “ought to cover” movie!

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Released in 1995 under the title Learning Curves, this derivative comedy is so uninspired that you’ll have to stifle a dozen yawns while watching it, and it goes through all the familiar motions with a plot about a high school senior (Jason London) who needs some math tutoring to improve his odds of getting into Harvard. It just so happens that the beautiful babe who tutors him (Tia Carrere of Wayne’s World fame and little else) is also the neglected, lovelorn wife of his math teacher (Christopher McDonald), and she’s willing to give him more than a few math lessons. (Can you say “predictable”? Knew you could!) Tepidly directed with all the subtlety of an anvil to the skull, the movie gets a much-needed boost from its appealing cast (indeed, Carrere shows some actual talent here, leaving the peekaboo nudity to an obvious body double), and North Carolina locations add some relaxing visual charm. And because London’s character is an aspiring cartoonist, typically wacky animations by Bill Plympton are used as semiclever linking devices. Still, you’d have to be very forgiving–or an obsessive Tia Carrere fan–to consider watching this lightweight snoozer more than once. –Jeff Shannon

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My Teacher’s Wife was desirable! You have to consider this movie! A portentous performance by Karyn Beach & Joanna Canton make My Teacher’s Wife a “want to watch” movie!

The fabulous cast includes Karyn Beach, Joanna Canton, Tia Carrere, Caroline Crumpler, Ira David Wood III. This cast just make My Teacher’s Wife the more eye-opening!

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During the latter stages of the Civil War, a gang of supposed Confederates, headed by Alex Morel (Lionel Atwill), raid all gold shipments destined for Washington from Oro Grande, California. A Union Secret Service Agent (Dennis Moore) with the aid of his faithful side-kick and a pretty Wells Fargo agent (Wanda McKay) overcome the gold raiders and even rounds up a group of Prussian spies! Bonus Features: Scene Selection| Bios| Serial Trailers. Specs: 1-DVD9 + 1-DVD5; Dolby Digital; 225 minutes; B&W; 1.33:1 Aspect Ratio; MPAA - NR; Year - 1944; SRP - $29.99.

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Raiders of Ghost City was fair and pleasant! You have to see this movie! A striking performance by Dennis Moore & Wanda McKay make Raiders of Ghost City a “ought to respond” movie!

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In Maxed Out, author/director James D. Scurlock (Maxed Out: Hard Times, Easy Credit and the Era of Predatory Lenders) takes on America’s debt crisis. Consequntly, he touches on related issus like race, corporate malfeasance, and political subterfuge. Scurlock’s multi-media approach incorporates statistics, news excerpts, and interviews, but it’s rarely dull (comedy bits from Louis CK and tunes from QUn and Coldplay don’t hurt). Speakers include economic professors, debt collectors, pawn brokers, investigative reporters, beleagured consumers, and even Robin Leach (Lifestyles of the Rich and Famous). Instead of New York and Los Angeles, he concentrates on mid-size cities, like Minneapolis, Oklahoma City, and Seattle. Plenty of small towns also come into play. Though he never presses the point himself, Scurlock allows his subjects to note the similarities between the credit industry and the drug trade (others use such incendiary terms as “rape”). One thing he neglects to mention, however, is pride. If house payments are ruining your life, selling that property may be the only solution. In most cases, however, it’s hard not to feel for those individuals who didn’t know what they were getting into before they signed their lives away. For some viewers, this will be a dispiriting documentary–three subjects recount the suicides of relatives who found their debt too much to bear–but in explaining exactly how lenders and creditors make money, Maxed Out can help others to avoid some of their most egregious practices. In other words, debt may be a downer, but knowledge is power. –Kathleen C. Fennessy

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Maxed Out was complaisant! You have to summon up this movie! A heavenly performance by Mark Mumma & Ronald Reagan make Maxed Out a “need to attend” movie!

The surprising cast includes Mark Mumma, Ronald Reagan, Jimmy Carter, Dave Ramsey (II), Liz Warren. This cast just make Maxed Out the more fabulous!

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What matters most in life, eh? Hockey, donuts and beer? A slab of back bacon? And did we mention beer? At least, that’s what matters most to Bob (Rick Moranis) and Doug (Dave Thomas) McKenzie when they bring the goofy lunacy of SCTV’s “The Great White North” to the great wide movie indoors.

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Strange Brew was mellow! You have to espy this movie! A terrific performance by David Beard & Douglas Campbell make Strange Brew a “ought to nb” movie!

The strange cast includes David Beard, Douglas Campbell, David Clement, Dora Dainton, Len Doncheff. This cast just make Strange Brew the more strange!

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1 Giant Leap is a collaborative dvd project for the 21st century, which fuses music, words, sounds, rhythms and images from over 25 locations in 20 countries around the globe to celebrate diversity of musicians, story-tellers, authors, filmmakers, artists, entrepreneurs, artists, and thinkers from many different cultures. 1 Giant Leap is a title, a philosophy, a leap of faith that sprung from the minds of visionary UK musicians/visual artists Jamie Catto (Faithless) and Duncan Bridgeman. It is the embodiment of the unity in human diversity and a cross-cultural exploration of universal truth that is a global journey unto itself. 1 Giant Leap features: Kurt Vonnegut, Dennis Hopper, Ram Dass, Tom Robbins, Anita Roddick, Brian Eno, Michael Stipe (REM), Robbie Williams, Neneh Cherry, Speech (Arrested Development), Stewart Copeland, Baaba Maal, and many more.

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1 Giant Leap was mellifluous! You have to remove all doubt this movie! A phenomenal performance by Asha Bhosle & Duncan Bridgeman make 1 Giant Leap a “should touch” movie!

The stunning cast includes Asha Bhosle, Duncan Bridgeman, Jamie Catto, Neneh Cherry, Ram Dass. This cast just make 1 Giant Leap the more astonishing!

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The most bizarre experiment in human sexuality! Frozen-faced automatons and a goofy-looking monster abduct a collection of sexual specimens–hippies, lesbians, stripper Gloria Prat–who are whisked off to the estate of crazy Dr. Humpp. There, with the aid of aphrodisiacs, “electronic control of the libido,” and a talking, pulsating, disembodied brain in a jar, Dr. H turns his gusts into “veritable lovemaking machines.” He then drains “the blood forces of sex” from the couples, which he uses as an elixir to keep himself eternally young. Investigating the kidnappings, journalist Richard Bauleo quickly finds himself part of the story when he is partnered with Miss Prat on Humpp’s telepathic sex machine. Another delirious crackpot cult classic, “The Curious Dr. Humpp” is one of the wildest, wackiest mixes of sci-fi, monsters, and skin ever filmed!

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The fabulous cast includes Ricardo Bauleo, Gloria Prat, Aldo Barbero, Susana Beltran, Justin Martin. This cast just make The Curious Dr. Humpp the more eye-opening!

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